Mark Bernstein [70]notes that montage has been "a fact of life in the design of museums and art galleries, where disparate visual works are collected in a limited space" and relates these physical montages with the overlaying of screens in Patchwork Girl [26]. ~water ~water ~water~ [59] and Lexia to Perplexia [43] also have anchors that trigger an arrival montage of text screens.The montage of anchors as menus in High Crimson [11] takes montage one step further to invite readers to engage with many layers of anchors. Garnier Fructis' [20] montage is more straightforward, merely adding more detail about a product.